Wednesday, 21 December 2016

Final Audience Feedback for CD Cover, Magazine Advert and Inserts

After watching the music video, we asked the same people what they thought of our print work. 



The first question was 'Do the front and back covers match the music video?'. The unanimous response was the CD covers did match the music video. This was the most important thing we needed to accomplish because we needed our products to be cohesive. The fact that they were all agreed that it was showed that we were successful.

The second question was 'Do you think the composition of the CD covers is aesthetically pleasing?'. The audience said that the CD covers look professional and had the features of a legitimate real life cover. The quality of the images, editing and font all contribute to making our CD cover look legitimate. Legitimacy is one of the main goals of making a successful CD cover so I'd say we were successful in this aspect.

The third question was 'Do you think the pictures we have chosen work well as the magazine adverts for the music video?'. The responses were positive, they liked how we split a frame into thirds with our main characters and the polaroid effect with our other magazine advert. However they thought that Kaden should be facing the other way to make our magazine advert abit more symmetrical. We didn't really think this was that big of a problem because of how minuscule this is.

The fourth and final question was 'Does all the print work work together as a cohesive media product with the music video?'. They said that our products were very good and eye-catching. They liked that there was a reoccurring theme throughout all our products so they all seem linked. However one said that the backgrounds for our inserts were quite jarring because the Twitter theme seemed too obscuring. Postmodernism was a high priority for us so we felt adding more intertextual references would cater to the largest audience (the internet) so that explains our heavy Twitter theme.

Tuesday, 13 December 2016

Final Audience Feedback for Music Video

For our final audience feedback, we decided to gather some of our media class consisting of 17-18 year olds who are our main target audience for a video reaction for all of our finished products, the music video, the CD cover, digipak and magazine adverts.




The first question for our music video was 'What were your initial thoughts of the music video?'. The responses were all positive and they thought our story was interesting and well thought out. The narrative was one of our key ways to being postmodern because we were essentially combining film techniques with a music video. As a result, we were relieved that the audience were positive about our decision. 

The second question was 'Do you think the music video fits the genre of the music?'. The responses were mixed because on one hand people thought that since the song was more modern, our use of technology in the video was very appropriate and was a nice reflection. However some people felt that we should have stuck to the conventions of the hip-hop genre in our music video which I would tend to agree but if we wanted to be postmodern, we needed to subvert certain conventions for it to be noticeable. 

The third question was 'Does the cinematography fit with the music video?'. We got criticism over the lighting in the bar scene with Cameron because it was clear that some shots were filmed at different times, hence the difference in lighting. Although I agree that those shots look out of place, we didn't know that the lighting was so different until we were editing it and by that point, re-shooting would have taken up too much time. But overall, they said that our cinematography was solid. 

The fourth question was about postmordernism and 'How were the masks, as a motif, add to the postmodern experience?'. The audience liked the masks and added a layer of hyper reality and they liked that the masks were also intertextual references. They also said that the masks were a representation of 'anonimity in the internet' and how people can put on certain character because they are anonymous. 

The fifth question was 'How does the editing convey the narrative of the video?'. The responses were that they thought the linear continuity editing was very well done. People also liked how the editing matched the beat of the music, complying with Andrew Goodwin's theory that the visuals should match the music. Our motif of the black bar wipe at the start of the video makes the video more postmodern because it's almost parodying typical straight cuts. It can also be a parody of how Star Wars uses wipe transitions. 

The sixth question was 'Do you believe that there's a relationship between the music, lyrics and visuals?'. This relates to Andrew Goodwin's theory and people weren't sure whether there was a correlation between the three factors. Furthermore, they said that the lyrics objectifies and has a voyeuristic treatment of women, another of Goodwin's themes. However we deliberately contradicted the lyrics of the song by having a female lead searching for men rather than vice-versa because we wanted to stay postmodern therefore we added some tongue-in-cheek humour in there whilst still staying true to the hip-hop genre.

The seventh question was 'Is the video repetitive in terms of themes and actions?'. The audience mentioned the 'rule of three' where three examples is enough for the audience to understand the concept which we did try to stick to. The audience did have positive responses to this and also added that the repetitiveness of the masks and dates made our diegesis more fantasy-like, complying with Carol Vernalis' theory

The eighth question was 'Is there anything that could be improves on?'. The responses were mainly unanimous, the lighting could be better, more postmodern elements, better location, very small little improvements that could be have been solved if we had more time, money and people. The fact that this coursework took place during A-levels meant that we were limited before even starting. I feel that we did the best we could with the resources and time that we had. We were bound to encounter problems at that point in time because people are busy doing their subjects. 

Saturday, 10 December 2016

Intertextual References

One of our highest priorities in making our music video was postmodernism so we thought adding in intertextual references would be the optimal method to making our video postmodern. An intertextual reference is when a media source references another media source, usually to pay a homage or respect the source. It can be seen in the form of pastiche or parody and occasionally audience members who understand the reference will feel intelligent in doing so.


The recurring motif and intertextual reference that is prominent throughout our music video and print work is the Twitter theme which is an act of cross media convergence. With convergence, we can use Twitter as a social media platform to market our music video and establish a sense of cohesion. Furthermore, this is used as a narrative device to allow the girl in the music video to search for her dates. The Twitter theme also has an element of fantasy because every time she likes a photo, the guy appears next to her. These are all examples of hybridity, combining different genres together into one postmodern piece. 




Another example of cross-media convergence that also worked as an intertextual reference would be the YouTube overlay that we used for our music video. This broke the fourth wall and suggested to the audience that the events in this music video are not real. It questions reality and what's fantasy and what isn't. Also the YouTube video in itself is an intertextual reference to prank videos on YouTube which were a popular trend that allowed people to do cruel things to unsuspecting victims and get away with it because it was revealed to them later that it was 'just a prank'. 

The masks that the guys wear when the girl likes the photo of them are all intertextual references to other pop-culture. 


The mask that appears in this scene is an intertextual reference to Obito Uchiha from the anime 'Naruto'. 


The mask that appears in this scene is an intertextual reference to Batman, an iconic pop-culture character from DC Comics


The helmet that appears in this scene is an intertextual reference to the Kill Bill movie directed by Quentin Tarantino